xkcd’s Time Zone Map

Randall Munroe, “Bad Map Projection: Time Zones,” 15 February 2017. xkcd.

Randall Munroe is a bad man who is back with another bad map projection to make our eyes bleed. (If he does this often enough he’ll have enough for a book. Heaven forfend.) This one is, like his other maps, fiendishly subtle: it stretches and compresses countries to fit where their time zones ought to be, longitudinally speaking.

Sohei Nishino at SFMOMA

Sohi Nishino, "Diorama Map London," 2010.
Sohi Nishino, “Diorama Map London,” 2010.

An exhibition of Sohei Nishino’s work is taking place right now at SFMOMA, the San Francisco Museum of Modern Art. In his Diorama Map series, Nishino assembles patchwork-quilt aerial views of cities from thousands of his photographs; each city is thrown deep into its own uncanny valley. Here’s an Atlas Obscura profile from last November. New Work: Sohei Nishino runs until 26 February. More at SF Weekly. [WMS]

Christine Gedeon’s Stitched Plots

Christine Gedeon, "OSH, Brooklyn (Plot re-visualized)," 2012. Fabric, thread and paint on raw black canvas, 54″×32″.
Christine Gedeon, “OSH, Brooklyn (Plot re-visualized),” 2012. Fabric, thread and paint on raw black canvas, 54″×32″.

An exhibition opening this week at the Jane Lombard Gallery in Manhattan features, among others, the work of Christine Gedeon, an artist who “uses a sewing machine, fabric and paint on raw canvas to create improvisational stitched ‘plots’ that toe the line between abstraction and landscape. Examining issues of the urban environment, cartography, and urban planning, Gedeon investigates how humans interact with each other and our built environment to form relationships, narratives, and identities.” Examples of Gedeon’s stitched work can be found at her website. [The Map as Art]

Recent Book Reviews

Atlas ObscuraAt The Skiffy and Fanty Show, Paul Weimer reviews Atlas Obscura. “So is there a point to the book? Is there any good reason to read the book and not just go trolling and traversing through the website, which has many more entries? Yes. Even in an interconnected world such as ours, there is a tactile experience to flipping through this book, coffee table style […] While wandering through links on the website is a time-honored tradition, the book has a presentation that the website can’t quite match.” I reviewed Atlas Obscura last September.

You Are Here NYC: Mapping the Soul of the CityForbes contributor Tanya Mohn reviews Katherine Harmon’s latest map art book, You Are Here: NYC: Mapping the Soul of the City (previously). If all goes well (it doesn’t always, mind), I should have my own review of this book up later this week. [WMS]

Nonstop Metropolis: A New York City AtlasAs for the other new map book about New York City, Rebecca Solnit and Joshua Jelly-Schapiro’s Non-Stop Metropolis: A New York City Atlas, there’s a review up on Hyperallergic by Allison Meier, replete with photos of the book. “Every map is an intense act of creative collaboration, with essays and illustrations in Nonstop Metropolis from over 30 artists and writers. […] And the maps emphasize that this city’s character is often missing from our more official cartography.” [WMS]

Iwan Bala’s Controversial Brexit Exhibition

iwan-balaRunning until 30 November at the Penarth Pier Pavilion in Penarth, Wales, Dyma Gariad (fel y moroedd)/Here is a love (deep as oceans) is an exhibition by Welsh artist Iwan Bala. It’s an angry, provocative collection of caricatures and maps about Brexit, from a strongly Remain perspective, done in a style described by the Penarth Times as “the rapid often stumbled, crossed out, corrected, blotted, re-adjusted rush to put thoughts on paper and the attempt of a poet to capture a line before it ebbs in the memory.” As the Pavilion describes the exhibition:

Responding to the result of the electorate’s vote on the UK’s EU membership, Bala began to make (alongside politicized ‘maps’), satirical caricatures of the principle [sic] players in the lead up to and result of Brexit. An Artist has a duty to comment, protest and become an agent provocateur through the medium of visual communication. Cartoons have a long and illustrious history, and have always lurked somewhere in the background environs of his artwork.

They may have been anticipating some pushback—the exhibition also had a content warning—and indeed the exhibition has gotten some angry responses sufficient that the Pavilion had to issue a statement defending their decision to host it. That alone tells me it was a success: art provokes. [WMS]

This Map Needs a Magnifying Glass

The Bangkok Post interviews artist Karoon Keamviriyasatean (aka Zillv)“To record the beauty of Rattanakosin Island, known simply as the ‘Old Town’, freelance artist Karoon Jeamviriyasatean has drawn a map. But it isn’t any normal map. It is a stunning and intricately detailed architectural birds-eye-view cityscape of Rattanakosin Island. Every block, shophouse, fort, temple and soi is depicted, and the only way to see it in full detail is through a magnifying glass.” The map is available for sale here. [WMS]

You Are Here: NYC

you-are-here-nycToday is the publication date for Katharine Harmon’s latest book of map art: You Are Here: NYC: Mapping the Soul of the City (Princeton Architectural Press). This is Harmon’s third map art book and features some two hundred maps of New York City, “charting every inch and facet of the five boroughs, depicting New Yorks of past and present, and a city that never was.” Fast Company Co.Design’s Meg Miller has a piece on the book. [via]

Previously: A Forthcoming Map Art Book About New York City.

Texas Monthly on Smith Map Studio

Smith Map Studio
Smith Map Studio

Texas Monthly has a piece about Christopher Alan Smith, who for the past decade has been creating original maps, mostly of Texas and Texas-related subjects. It’s been his full-time gig since 2008. Smith uses a mixture of pen-and-ink and acrylic paints:

I tend to follow the style of postage stamps and currency. I use a pen-and-ink stipple technique, which is a series of dots that create the illusion of halftones. Cross-hatching is another method, using lines instead of dots. I’ve also started using engraved wood to give the maps a layered, 3-D look. For example, on my Thirteen Colonies map, I illustrated the coastline on two layers of hardboard.

[WMS]

River Basins in Rainbow Colours

river-basin-rainbow

The latest map to go viral is Robert Szucs’s dramatic and colourful map of the U.S. river basins. It’s even more spectacular in high resolution. Made with QGIS, the map separates river basin by colour and assigns stream thickness by Strahler number. I do have a couple of quibbles. The map doesn’t distinguish between the Hudson Bay and Atlantic watersheds: the Great Lakes and Red River basins are coloured the same way. And speaking of the Great Lakes, I have no idea why they look like ferns here. The map is available for sale on Etsy, along with similar maps of other countries, continents and regions. Daily Mail coverage.